A review by Rolawe D.F
Itohan Ekle’s ‘Colours on My Face’ is a compelling poetry collection that offers an intricate blend of emotions, experiences, and reflections. Published by Palmwine Publishing, this work takes into cognizance the human condition, societal norms, and personal struggles, exploring themes of identity, resilience, and hope.
Ekle, who began her creative journey at 12, demonstrates an intimate understanding of the complexities of life through her vivid storytelling and evocative imagery.
The collection begins with Le Pills du Truth, a striking metaphorical narrative about the consequences of self-deception. Here, Ekle introduces her readers to her unique style—blending humor with poignant truths. The “Truth Tablet,” prescribed to purge the “cancer of lies,” becomes a symbol of the painful but necessary process of self-awareness. This opening sets the tone for a collection that challenges the reader to confront their own realities.
Ekle’s ability to weave societal critique into personal reflection is evident in Dear Mother Earth and Dear African Child. In these pieces, she addresses environmental degradation and the struggles of the African identity. With lines like, “We are a piece in your puzzle,” Ekle calls for unity and a renewed sense of purpose in preserving our world. Her plea for an Africa seen beyond its scars and struggles resonates deeply, portraying her as a voice of advocacy for dignity and recognition.
Another standout is A Bullet or A Word, where Ekle explores the power of words to wound or heal. She uses visceral imagery, likening harmful words to bullets, and depicts the painful journey of healing and reclaiming self-worth. Similarly, in Be Strong, she critiques society’s demand for unyielding resilience, arguing for the value of vulnerability and the strength in confronting pain. These pieces reflect Ekle’s sensitivity to the emotional burdens individuals carry, making her work both relatable and cathartic.
Ekle’s exploration of gender identity in Yes, I Am a Woman is a bold declaration of female strength and autonomy. Rejecting societal labels and stereotypes, she asserts her individuality and the collective power of women. This poem is a rallying cry for women to embrace their potential beyond societal expectations, offering a hopeful vision of equality and empowerment.
The collection is not without moments of lightness and whimsy, as seen in In-House Gas, a humorous exploration of human habits and environmental concerns. Here, Ekle’s wit shines, balancing the gravity of her other works. Her ability to shift tones seamlessly keeps the collection dynamic and engaging.
‘Colours on My Face’ is deeply personal, as illustrated in Your Grown Daughter and Tales of Despair. These poems reveal Ekle’s vulnerability, detailing her journey through pain, loss, and self-discovery. Her introspective style invites readers to reflect on their own lives, creating a shared emotional experience. In Your Grown Daughter, for instance, Ekle expresses gratitude and longing for her parent while asserting her readiness to provide strength in return. This interplay of roles within family dynamics is touching and universal.
Ekle’s language is simple yet profound, making her poetry accessible while layered with meaning. Her imagery often draws from nature and everyday life, grounding her work in a relatable reality. The recurring motif of the moon, as seen in Dear Moon, symbolizes constancy and quiet strength—a fitting metaphor for the themes she explores.
The title, ‘Colours on My Face’, encapsulates the essence of the collection: a celebration of the spectrum of human emotions and experiences. Each poem adds a new hue, from the bright optimism of ‘Earth Is Your Place’ to the somber tones of I Am Going to War with Myself. This diversity ensures that readers will find something that resonates deeply with them.
While the collection’s strength lies in its emotional depth and relatability, it occasionally leans into abstraction, which may challenge readers seeking straightforward narratives. However, this abstract quality also invites multiple interpretations, enriching the reader’s engagement with the text.
In this collection, Itohan Ekle proves herself to be a poet of remarkable insight and empathy. Her ability to navigate the personal and the universal, the light and the dark, makes this collection a must-read. It is a book that not only entertains but also enlightens, encouraging readers to embrace the complexity of their own lives.
This collection is a testament to the power of poetry to heal, challenge, and inspire. It is a work that deserves a place on every bookshelf—a reminder that even in the face of pain, beauty and hope persist.
Grab yourself a copy and peel through the loft of this creative African-rich poetry.
ABOUT THE AUTHOR
Itohan Ekle is a poet, short story writer, and visual artist whose artistic journey began at just 12 years old when she discovered her passion for storytelling. Raised in a creative household, she honed her craft making Kampala fabric with her mother and sketching gown designs, nurturing a lifelong connection to art. In 2019, she expanded her repertoire by embracing digital art, seamlessly blending traditional influences with contemporary techniques.
Through her poetry, prose, and visual creations, Itohan inspires readers and viewers alike to delve into their own stories and celebrate the unique “colors” that define their identities. She is currently working on her highly anticipated debut novel.
